English
Français Construction photography
Work area and construction photography
Équipement d'une cage d'ascenseur
Le foreur
Dans le coeur d'un pont
Le patio
La damier du chantier
A coté du tablier
Chantier du métro
Avant l'oxycoupage
La tour de contrôle
Caissons et compartiments
Chantier du métro, rénovation des viaducs
Chantier d'une éolienne.
Chantier en station
Dans l'intimité des fers à bétons
Embellissement des porteurs
En cours d'aménagement
Injecteurs à fioul
Jeux de matières et de lumières
La pièce des échangeurs
L'entre deux ponts
Livré, mais encore à assembler.
Mécanisme de levage du pont
Nouveaux tuyaux
Perspectives trompeuses
Piscine en travaux
Point de fuite
Pour eux
Rénovation d'une verrière 1900
Underground photography highlights works of art even when the conditions of access and lighting are difficult. You can order beautiful pictures of your infrastructure, people and technical expertise, suitable for communications and archives.
. With a specific know-how, I made pictures with strong details and sharpness. This is a big difference when you use it, especially for big size printing (protective canvas).
Trained in freestyle access and first aid, used to industrial risks; I take photographs, despite access conditions and risks inherent to the site (confined spaces, crushing, electrocution). I own my PPE (Personal Protective Equipment), like hard hat, security boots, high visibility vest, climbing belt, respiratory mask, multi gaz detector).
My photographic work, in standard or panorama, offers very realistic and purposeful photographs, even when light conditions are very unfavorable (zones with mixed scenes, both too well and badly lit at the same). With their “darkroom” quality, my shots are usable in very large format.
Zoom on… Undeground metro improvement work, Paris.
Mission: A photographic commission, of hidden parts: like rail points improvement work ( for the book LE METRO DE PARIS (THE PARIS METRO), published by La Vie du Rail.
Implementation: Night shooting along electrified lines, taking into account the lack of recoil and strong contrasts in light: very dark tunnels, with portions too lit by neon lights.
Result: A dozen new photographs published, like this one:
Recognized by French Historical Monuments.
Best rate for AFTES Members
To contact me (prices, order, …) :
By phone:
- 00 337 625 540 19 (international number – cellphone).
By contact form:
